Skip to main content

Mere Krishn - An immersive experience

 


No one can predict on how you come across divinity. No best laid plans can prepare you for the unthinkable, unexpected. During a random scrolling in Instagram, I found a wonderful clip of Sourabh Raaj Jain dancing as Krishna with Gopis. Ever inquisitive I dug a little more and found that this is part of a dramatical Mere Krishn. Instantly I was searching for the next show in Bengaluru and instinctively booked my tickets (knowing that the date had some pre-commitments that I can’t escape from). Come the day, all events concluded on time and I eagerly looked forward to the event. What I didn’t expect was the magic that was to unfold.

First, a note about the venue : Prestige Center for Performing Arts (PCPA) - A magnificent venue with comfortable seating, excellent sound design and absolutely first-class experience. 

At the start, the voice over at the starting requested everyone NOT to record during the show, but to feel it. Experience the show internally (Anubhuti) and perhaps, Krishna will speak to you. Before I write more about the show, there is definitely a need for us to stop being crazy about recording inspite of multiple requests from the makers. Repeatedly during the show, I saw may recording on their devices which was being highlighted by the volunteers through green beams. How difficult is it to adhere to a simple request? Can’t we just take a picture or two and be contended? 

This is a first for me. I haven’t experienced a dramatical in such a setting. The makers have put in a LOT of HARDWORK and EFFORT into the making of the show. During many instances, we have the characters walking down from a top level so that people can view them up close and experience the magic. 

The show is PURE KRISHNA LEELA with a lot of backdrop of Mahabharata. The dialogues are written in poetic manner and many a times felt very thought provoking - as if the character saying these words is holding a mirror to the modern society. The graphics used to create the backdrops for various scenes is WORLD CLASS. I particularly loved the world of Yogamaya - The graphics was out of this world. Similarly, the illusion of Krishna to Kamsa was brilliantly done. 

Every single scene was so touching and divine, I felt I was transported to a ring side view of Mahabharata. Truly words fail me to describe the immense joy and happiness at being part of such an experience. 

Sourabh Raaj Jain - My new favourite Krishna. Growing up with Dr. Nitish Bharadwaj as Krishna, I couldn’t quite accept someone else to be as good as him. However, Sourabh Raaj Jain is truly Krishna Personified. I feel he has surrendered himself to the role and I believe he has been blessed by Krishna himself to carry his message to the world. Pooja Sharma as Yogamaya / Radha was absolutely brilliant. Her dialogue delivery is absolutely spot on with right accentuations at the right spots. Arpit Ranka - I am totally awe of his professionalism and his commitment to the art. He was battling a serious leg injury, yet completed the show with his menacing presence. Simply Brilliant. 

When the show ended very late (around 1130 pm), we weren’t sleepy or tired. Just wanting more to savour the Raas of his Leela. Of course, we were the lucky ones to be part of the 75th show. The makers have a grand dream of taking it to 1008 shows with a name of Krishna dedicated in every show.

Don’t miss this excellent show when it plays in a town near you. For Bengalurians, next show will happen on Dec 25, 26 and 27. Book your tickets on District by Zomato. 

 

 

 

 

 

Comments

Popular posts from this blog

108 Divine Shiva Kshetras - Mummadi Krishnaraja Wodeyar

Wodeyar family in general have been instrumental in preserving a lot of age-old scriptures, puranas etc by commissioning Asthana Vidwan’s to translate them into Kannada. We are blessed to be savouring the vast ocean of our ancient knowledge thanks to these generous souls.  Mysore’s Maharaja H. H. Mummadi Krishnaraja Wodeyar was a scholar par excellence. He has authored many works, one of which is Sri TattvaNidhi . In the 5th Canto, there is a mention of 108 Shiva Kshetras along with the names of the presiding deities (as captured in Srimat Shivasarasangraha ).  Disclaimer : This list was published in the special edition of Bharatha Darshana (Feb 2026). This post is to translate the same into English so that it reaches wider audience. Full credit should go to the Bharatha Darshana team for bringing these nuggets to light.  1. Kaivalyashaila - Srikanta 2. Hemakedara -  Kedareshwara 3. Varanasi - Vishwanatha 4. Srishaila - Mallikarjuna 5. Prayaga - Nilakanta 6. Gaya -...

Temple Circuit : Haasanmba - Doddagaddavalli - Hiremagalur - Belavadi - Javagal

A spur of the moment decision, next I know we are planning or rather packing for this day trip to have the darshana of the very divine Hasaanamba Devi. Multiple attempts in the previous year landed up with disappointments and hence, I was eager to have her darshana this time around. Along with a couple of my colleagues, the family of one of them joined us in this trip. It was such a blessing to be in the presence and to listen to the timeless wisdom of the elders of the group. The entire trip was a very happy family experience, with the elder couple caring for all of us as their own children.   
We started from Bengaluru around 5:45 am. Enroute we stopped at MTR on Bengaluru - Hassan highway and treated ourselves to a sumptuous breakfast. Food is really good here !!! Haasanamba Temple 
A very divine temple nestled within the Haasan city, a much revered Devi whose darshana is available only for a specific period in a year. First and the foremost, we need to thank the Government, di...

In Memorium : S. L. Bhyrappa

 Words are just insufficient to describe the sense of loss of a great person for the country, for the society and personally for me. One of my friends asked me to speak about SLB sir, but no matter how hard I tried, mind didn’t cooperate. Perhaps, it required some sinking in about the loss of an individual as accomplished, influential master like him. I am sure there are many more accomplished writers and authors who have worked closely with SLB sir and have written eloquently about the great man. I tried to put to words what impact he had on me in my life. To describe S. L. Bhyrappa in words is to attempt to describe an ocean holding a fistful of water. The impact of his words on his audience was very individual, but highly impactful. I found SLB sir quite late (on relative terms) in my life. Though I had heard and read about him in papers, I never took up the courage to go and start reading his books. Perhaps, it was providence that I found his writings at a time when I was searc...